Hollywood was created so that the Antichrist would enslave the USA

Source: (https://bit.ly/3YP6zIu)
In a new conversation with Australian interviewer Maria Zeee
Illuminati insider and investigative journalist Leo Zagami reveals
what he claims is "the secret mission of Hollywood." A secret
mission with the aim "to change society and prepare the way for
the coming Antichrist and the End times." And while that claim is,
essentially, impossible to verify - and while Zagami can be quite
a verbose and meandering educator - he does highlight issues with
Hollywood that are easy to confirm: such as the industry's
obsequious relationship with the Department of Defense (DoD).
As well as its links to ancient Babylon and a sect of heretical Jews
known as the Sabbatean-Frankists. 
In his interview with Zeee (immediately above) Zagami - who is
known "for a brilliant career as Leo Young in the media and music
industry," as well as for "his direct involvement in the New World
Order and Secret Societies known to the majority of [people] as the
'Illuminati'" - describes how Hollywood has, from its founding,
served as a tool for Sabbatean-Frankists; that is, a group of people
who believe Sabbatai Zevi, who lived in the 17th century, is the
Messiah and that redemption on Earth can be achieved through
sinful acts.
As author Robert Sepehr notes, Zevi amassed a following of more
than one million "passionate believers" pulled from the world's
Jewish population. After Sabbati's death in 1676, his successor,
Jacob Frank, kept his occult religion alive. Like Zevi, Frank
encouraged the performance of "'strange acts' that violated
traditional religious taboos, such as eating fats forbidden by
Jewish dietary laws, ritual sacrifice, and promoting orgies and
sexual immorality." Sepehr notes that Frank "often slept with his
followers, as well as his own daughter, while preaching a doctrine
that the best way to imitate God was to cross every boundary,
transgress every taboo, and mix the sacred with the profane." 
According to Zagami these Sabbatean-Frankists - who Sepehr says
aim "to undermine the world's religions and power structures, in
an effort to usher in a utopian era of global communism, which they
would covertly rule by their hidden hand [dubbed] the New World
Order" - "found a new house in Hollywood" after it took root in
California in the early 20th century, and saw it as "the place where
they could actually propose their sinful ideology and gradually
make it more and more… shared by the masses."
The Sabbatean-Frankists "think that by sinning the most possible,
doing the most obscene black magical rituals, God will be forced
to bring back the Messiah…" Zagami says. He notes that "sick
idea… still carries on today, because… the Sabbatean-Frankists
are some of the most influential element in the Jewish
community… ." The Illuminati insider notes one prominent
member of the heretical sect is former U.S. Secretary of State
Henry Kissinger, for example.
Zagami highlights several particular influential people who helped
to turn early Hollywood into a stomping ground for the sin-loving
Sabbatean-Frankists. Chief amongst them, Zagami says, was
D.W. Griffith - an American film director who is credited with
developing many of the basic techniques of filmmaking via his
early, silent movies such as The Birth of a Nation (released in 1915)
and Intolerance (1916).
Griffith, along with Charlie Chaplin, co-founded United Artists - an
actor-owned and -controlled film studio - and helped to tie the
foundations of Hollywood to the occult, heretical Sabbatean
-Frankists. Zagami notes, for example, that Chaplin was "raping
14-year-old children" and "wasn't such an innocent guy." Indeed,
many sources cite this perhaps lesser known factoid, including The
Spectator, which noted in a film review of The Real Charlie Chaplin
that "He would get young teenage girls pregnant, marry them
to avoid charges of statutory rape, and then be sadistically cruel
to them."
Zagami says that with Griffith's film The Birth of a Nation,
he helped to establish Hollywood as we know it and simultaneously
attempted to relaunch the Klu Klux Klan (KKK); even managing
to have the film screened at The White House. The attempt failed,
however, according to Zagami, and "he received a lot of criticism
for that." A year later, Zagami says, Griffith made Intolerance,
which included scenes with 10,000 actors, a reconstruction of the
gates of ancient Babylon, and temples to the ancient gods Ishtar
and Enki. "All these figures at the core of the Sumerian myth" were
brought to life, Zagami says. This production became "the core
of Hollywood," even physically as the film was shot where the
famous Dolby Theatre (formerly known as the Kodak Theatre)
in Hollywood now stands.
Along with a deep connection to Sabbatean-Frankists, Zagami notes
Hollywood has also had - since its inception - ties to the military
industrial complex. Zagami says:
"The people who are in charge, still to this day [connect] the film
world to the Pentagon. There is an office in charge of this. They
did hundreds and hundreds of movies that literally were inspired
at times by the military industrial complex. And at times the
military industrial complex intervenes [and says] 'If you want
us to give you the tanks, the planes to help you out, you have
to cut this scene, do this other scene [etc.]'"
Indeed, the DoD says right on its website that the department "works
with Hollywood" and that "There can be tension with filmmakers."
The DoD notes that "While Hollywood is paid to tell a compelling
story that will make money, the DoD is looking to tell an accurate
story. So naturally, there can be challenges in combining the two."
Army Lt. Col. Tim Hyde, the deputy director of the Los Angeles
Office of the Chief of Public Affairs says on the DoD's site that
"There are compromises on both sides [but still] a point where
we just have to say no - 'It's either going to happen like this,
or it's not going to happen at all.'"
More frightening than the imbalanced relationship between
Hollywood and the DoD, however, is Zagami's claim that the
military industrial complex is specifically trying to prime audiences
for nuclear war. 
"In Stanley Kubrick's Dr. Strangelove, you have the explosion[s],
the nuclear explosions, and the nuclear threat described as a real
threat - a threat that can really bring… decades of radiation and
problems… for the population…" Zagami says. In contrast are
more recent films such as Terminator: Salvation from 2009, which
shows "the nukes just [going] off and the people just [hanging]
around tranquil… ." That change in sentiment, Zagami says, was
inspired by the military industrial complex, which "is now
normalizing the nuclear explosions for a possible future
catastrophe."
On a more religious/spiritual level Zagami says that "our whole
society has been molded and crafted [by Hollywood] in a way to
prepare ourselves for the arrival of [the] Antichrist… ." He notes,
for example, that at the same time that Griffith was laying the
foundations for Hollywood, English occultist, ceremonial magician,
poet, painter, and novelist Aleister Crowley was "doing his rituals
for evoking… the god[s] of iniquity, of chaos, [and] of the abyss
in Northern Africa and Algeria… ." Zagami says Crowley went
on to perform "a public ritual in London" and "went on stage cutting
himself like Marilyn Manson; totally out of it on drugs like peyote
and other things." 
"Crowley himself came here to America and talked about the people
he saw in Hollywood. [He] said these people… they are completely
out of it on cocaine, having sex… he actually even was almost
critical of how out of it they were." Zagami notes that, despite any
criticisms he may have had, Crowley "still decided to support
a [Masonic] lodge… which started to be active in the '30s in
Hollywood."
Zagami also highlights how in 2001 "suddenly, just after 9/11,"
contractors rebuilt the Gates of Babylon exactly as they were in
Griffith's Intolerance as the Ovation Hollywood shopping center,
which is located at the intersection of Hollywood Blvd. and Highland
Ave. The elephants of Ishtar, the statue of the Sumerian god Enki
"[have] all been reconstructed," Zagami tells Zeee emphatically.
"It is now forever there in Hollywood on display," Zagami adds.
"This is incredible: in the open air, [here are] the Gates of Hell
on Earth."
Zagami also offers up an interesting anecdote that embodies the
incestuous, satanic nature of Hollywood as he describes it. According
to Zagami Kenneth Anger - who IMDB describes as "one of the
pioneers of the American underground film movement" who made
"gritty, violent, often homosexual-themed films [that] were too
strong for American audiences of the time…" - created a short film
known as "Lucifer Rising" in 1972 that included its protagonists
performing "a ritual" at the former Russian embassy in San Francisco.
The protagonists, Zagami notes, were Anger, American author,
musician, and founder of the Church of Satan Anton LaVey, and
American murderer and associate of Charles Manson Bobby
Beausoleil.
Zigami goes on to say that Beausoleil stole the master copy
of "Lucifer Rising" from Anger, took it to Death Valley and "buried
it in a tomb with no name, never to be found again." It was on his
way back from that trip that he met hitchhiking members of Manson's
"family," and, at some point later, became one of the murderers
of Gary Hinman, who Manson said was withholding property that
belonged to him.
At that point, Zagami says, Beausoleil went to prison. But that is
also, apparently, when his career as a musician began. In fact, the
Illuminati insider points out that Beausoleil's music was used for
Lady Gag's Netflix Documentary, Gaga: Five Foot Two. Specifically
Beausoleil's music that he made for "Lucifer Rising."
These underground films like "Lucifer Rising" are "not just
underground movies," but rather "the work of the Illuminati" that
display "a lot of rituals going on [that have been] made for public
display."
At around the 40-minute mark in the video, Zagami clarifies that
the Sabbatean-Frankists are trying to accelerate the coming of the
Antichrist, but that "the real Messiah" is set to return to Earth as
well. As for Zagami's understanding of the coming Biblical event,
he says that "first of all Jesus will go to his Jewish brothers
because he's Jewish and he will have to sort out the problem
he [didn't] sort out 2,000 years ago when they didn't accept him."
Zagami adds "there is a controversy that will have to be sorted
out between him… and the Jewish world. Then, when it comes
down to the Antichrist… [he is] of course already here. And we
just need to understand exactly who he is." 
For those familiar with the World Economic Forum's impact on
world politics, Zagami lays out a likely expected truth. The
Illuminati insider says that "in Davos you have the CEOs of every
single Hollywood company [sit] down with Klaus Schwab and
says 'So what should we promote in Hollywood now?'" Zagami
notes that the "Woke" agenda that now pervades Hollywood 
s due to this relationship between the entertainment industry and
the WEF.
The philosophy of "streaming" content via platforms like Netflix,
Spotify, et al. "is all based on the Great Reset," Zagami adds. He
quotes the now-infamous WEF line "you will own nothing and
you will be happy," highlighting that that is exactly the case with
people no longer owning their own libraries of content, but rather
only streaming them from a service. NFTs in the Metaverse,
likewise, are all part of the Great Reset plan according to Zagami.
"All this basically brings us to today… a society that is trying to
normalize even pedophilia in the fashion industry," Zagami says,
wrapping up his talk. Interestingly, contrary to what one may think
based on his focus on Hollywood, he ultimately says he thinks the
British monarchy will spawn the Antichrist. An assumption that
is, perhaps, absurd on its face, but less so for anybody who's looked
into The Committee of 300.